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https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407207294833-8BML7JAELIFRF4GWXWLJ/Zuckerman+Dining+Table_Setup+1.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407207319839-S8XH22A1EV1GQGO8WEJU/SIMPLE+LADDER_Step+Detail.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407207326363-6FO3J3GVVMF09MKNG622/Patel+Table_3.JPG Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407207284105-7XI5UJPRHAYXC4D1XRUH/Scrap+Wood+Table_4.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407207325986-QXPQLSMCRKV14EWBATKV/Concrete+Chess_Top.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407207318906-L7A1TCMDMAPGA1V1GM4K/Humidor_Open.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407207322919-BKH72SBL8C3KE8AOOXOM/Patel+Mobile_2.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290929296-GN6HACYM4JE7FZEUVM6S/1.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930622-7XWYB8V5W7V58XRAOEJN/2.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930392-NZ5ZJSPELZ5SKE7EW18B/18.jpg Contributors I began drawing the rocks by rubbing conté over French mold pressed papers as Seurat did. I studied the stones individually and collectively. I’d carefully select which rocks would pose for me and compose their light and shadows as carefully as I would draw them. https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930185-ERG7H8G4PBUUZTYXK3XW/15.jpg Contributors While drawing the rocks, I was deep in the research phase of my thesis year at Cooper Union. I set out to investigate all facets of the U.S.-Mexico border from its earliest marking to its contemporary politics. I examined the geography along the entire span and its relationship to different constructions of the border wall and ports of entry. I was also reading a heavy dose of Gloria Anzaldúa’s “Borderlands/La Frontera: The New Mestiza.” She explains the importance of re-creating images in order to deconstruct history and its false mythologies as a means to construct a new reality. https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290929956-QGYAG8DK49DL2TGUYFOY/13.jpg Contributors The architectural aspect of my psyche needed raw geometric data about the landscape in order to proceed with design. Digital modeling became essential in helping to understand the ground conditions.   I remember thinking through the sense of touch, picking the rocks up and rotating them over and over in my fingers while my eyes would inscribe like lasers where I wanted to cut them. With the other hand, I would draw the contours of what I felt. I tried casting them in plaster, sculpting them from clay and slicing them literally. I once submerged them in a bed of flour and photographed the reveal. None of these methods matched the level of precision I was after. I even contemplated having the collection scanned through an MRI machine for the planar and cross sectional data. Eventually, I allowed myself to let go and just drew what I imagined their cuts to look like. That procedure left me architecturally unsatisfied, but artistically surprised. https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290929436-JED6DUJJ1DQI23I9DSRR/3.jpg Contributors Looking back at the painful AutoCad drawings and botched 3D models, I sense great dissatisfaction. It wasn’t until I finished the year that I began to imagine photography as the catalyst towards digital replication. The process I discovered is known as photogrammetric modeling. By rotating an object on a surface using calibration markers at even 360 degree intervals at different elevations you obtain enough data to automate a pretty accurate 3D mesh. This technique also offers the texture bitmaps needed for rendering the mesh in outside 3D platforms. https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930017-AYQ8HG9PM770AX6KJA5D/14.jpg Contributors The rocks’ texture is rolled out onto a flat surface and splayed as though the rock was tumbled face by face over a flatbed scanner. The tumbling has its own logic and flows onto the mesh quite accurately. I am studying the logic of this tumble by color coding different regions of the map. This allows me to hypothesize about how to further refine the photographic process. https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290929818-FTONXQ7LPOUS2309T7VB/5.jpg Contributors The mesh objects and their textures are essential for limitless spatial orientation on semi-abstracted landscapes. I can now light them with the sun of any day, past or future. My fascination with the sun came during my first year at Cooper where I learned how to geometrically construct and render specific shadow angles by hand, using astronomical data about the azimuth and altitude of the sun from the U.S. Naval Observatory. I have always been observant about the light that hits places and have long desired to produce site-specific works about the spirit of places and their people. https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290929492-99H54M4GP2B3LOE4D34F/4.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930499-3DOQXT2NPR2N0NGGK49G/408977_10150525399831601_898390407_n.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930599-M87S5VF9RF4I6RMON863/426236_10150525399551601_513833408_n.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930663-XSDTGIHBFCA13R87AFJN/427727_10150525399201601_283888140_n.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930762-WJZAWK539RDZRU0IBQ4W/430913_10150525399151601_968270736_n.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930810-MO2H3ZOFRQC7Q3WPMR2P/705326_10151119229051601_1537484449_o.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1407290930933-1QBSPW70F8QLOVZAKXDO/1524160_10151821517411601_1405639083_o.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695374187-V1KD81DT8AQMRRP02AWK/5475477604_009f09d2c7_b.jpg Contributors - Flint, Michigan The people of Flint, Michigan often don't seem to know that they are living in what Forbes Magazine calls the most dangerous city in America. Summer concerts and block parties are often punctuated by violence - but not always - and it's an interesting mix of peoples, both black and white, who are all trying to just get by. https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695374505-9IETN5S3ZTSU5G5ONJJK/5475471020_b37cbdff04_b.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695374105-G9U8PYKROSR9KGWLSMLJ/5475481250_c272587868_b.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695373411-YJPHCS5C5E7PUR5RRYTF/5474876959_4c42806f5a_b.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695374512-8I1T0TXQ6XS2J2G36G8Z/5474869553_62cb39fe06_b.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695375455-XOSAQPI6MVVSA1BALQ3O/5774926766_be251a4b0c_b.jpg Contributors - Coney Island, Brooklyn Coney Island, Brooklyn, which is the best off of the three, is trying to find a balance between its last 30 years as the "people's resort" and the developers who seek to turn it into another gentrified Disney World. The recent film "Zipper: Coney Island's Last Wild Ride" captures this struggle. Watch it. https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695374891-DDOB5P0L5W7H8RQD7F9V/5774391697_4a6e7ec006_b.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695376524-6AG39NDLUWATFMU6UVLO/5774389973_bf90d14200_b.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695375426-986H2RDSXURYAGDLWBRF/5774386091_959ded65c5_b.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695376525-S6VGCCZATDMSXY6KCZH6/5774919556_d982547aa8_b.jpg Contributors https://images.squarespace-cdn.com/content/v1/52e5ac3fe4b05723d2b38d2a/1411695333909-MY70TMOUIR7Q1NRU4DWZ/8018108168_3d60714594_z.jpg Contributors - Grossinger's Resort Times are far tougher for the Grossinger's luxury resort in the Catskills near Liberty, NY. Once the borscht belt destination, it abruptly closed in 1986. Nature is recapturing it, one green, moldy square-foot at a time. The place is a time capsule of the 1960s and 1970s; totally abandoned, but they left everything in its place. It's as if a rapture of sorts stole everyone from their hotel room, spa, dinner table, or pool chair. 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